‘Dolby Atmos had somehow restored the little things that get sacrificed along the way when you’re making a stereo record’: Dire Straits’ keyboardist and producer explains why the ‘quite addictive’ process of mixing spatial audio can also get pretty emotional

Dire Straits' keyboardist/producer Guy Fletcher post about mixing their albums in Dolby AtmosHe says immersive mixing of the original recording sessions is "quite addictive" and often very emotional3D audio can reveal…